Where We At!
at the National Gallery at Art
In-person
Three Days
A series of in-gallery experiences, crafted by María Fernanda, debuted at The National Gallery of Art. The title of this program is directly inspired by Black Women Artists Inc.’s name and call, “Where We At!” (circa 1971).
What People Are Saying
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I forget how powerful and moving poetry is and this was a fantastic reminder
— Attendee
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I could not help but to be grateful for the fluidity of this workshop. Flow and freedom was nurtured by the facilitator.
— Attendee
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She not only educated, but provided feedback and appreciation for participation from the attendees.
— Attendee
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Such beautiful facilitation. Great combo of expertise, warmth, and enthusiasm.
—Attendee
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María Fernanda made me realize that art and poetry is for everyone.
— Attendee
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This was a great creative outlet where I not only learned but also explored within.
— Attendee
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This workshop was inspiring and affirming. Much appreciated
— Attendee
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Very informative, inviting, learning more than a long lecture.
— Attendee
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The workshop brought the exhibition to my attention—I would probably have overlooked it otherwise.
— Attendee
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This was the wellness lunch break that I needed.
— Attendee
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She was very knowledgeable and made me feel comfortable to write and participate in the group discussion.
— Attendee
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María Fernanda made me feel at ease, used the information in the space to add clarity to the class, and gave all a chance to participate.
— Attendee
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“María Fernanda did an excellent job. During the workshop I was exposed to new authors, poems, and art that guided my writing during the workshop. I left feeling inspired.
— Attendee
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“María Fernanda cultivated an environment for learning and sharing that was comfortable and safe.
— Attendee
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I learned so many new concepts today. I’m leaving feeling challenged and inspired.
— Attendee
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I learned so much and am so inspired. Also, using photography as a basis was amazing
— Attendee
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This was a great way to spend a few hours. I had so much fun. There are poets among us!
— Attendee
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Please continue enriching and enlightening.
— Attendee
About Where We At!
Join award-winning poet María Fernanda for an in-gallery poetry writing workshop inspired by the exhibition Photography and the Black Arts Movement, 1955–1985. The title of this program is directly inspired by Black Women Artists Inc.’s name and call, “Where We At!” (circa 1971). This program is for people of all experience levels. Paper, pencil, and a folding seat will be provided. Notebooks encouraged. You will be invited to write and experience contrapuntal poems, a poetic form blending two or more poems. This program will have a special focus on the impact of Carolee Prince, Nina Simone, and The Grandassa Models.
Celebrate Where We At!
“I forget how powerful and moving poetry is and this was a fantastic reminder.” —Attendee
“The discussions, the pace, and the facilitation was well done. I’d love to do a full course.” —Attendee
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Join award-winning poet María Fernanda for an in-gallery poetry writing workshop inspired by the exhibition Photography and the Black Arts Movement, 1955–1985. We encourage you to wear your favorite accessories, clothing, or both to help draw inspiration for your poems. You will be invited to write and experience contrapuntal poems, a poetic form blending two or more poems.This program is for people of all experience levels. Paper, pencil, and a folding seat will be provided. Notebooks encouraged.
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Join award-winning poet María Fernanda for an in-gallery poetry writing workshop inspired by the exhibition Photography and the Black Arts Movement, 1955–1985. We encourage you to wear your favorite accessories, clothing, or both to help draw inspiration for your poems. You will be invited to write and experience contrapuntal poems, a poetic form blending two or more poems.This program is for people of all experience levels. Paper, pencil, and a folding seat will be provided. Notebooks encouraged.
-
Join award-winning poet María Fernanda for an in-gallery poetry writing workshop inspired by the exhibition Photography and the Black Arts Movement, 1955–1985. We encourage you to wear your favorite accessories, clothing, or both to help draw inspiration for your poems. You will be invited to write and experience contrapuntal poems, a poetic form blending two or more poems.This program is for people of all experience levels. Paper, pencil, and a folding seat will be provided. Notebooks encouraged.