Programs
with María Fernanda
María Fernanda’s care and stewardship of this production was truly masterful.
— Executive Client at the Park Avenue Armory
Specializing as a independent producer for the performing arts with prize-winning collaborations, María Fernanda partners with museums, public libraries, national literary initiatives, bookstores, and more to support their cultural landscapes through dynamic programming.
Her producer credits include: Assistant Producer, Soundtrack of America (Quincy Jones, Maureen Mahon, Jon Batiste, Steve McQueen); Producer, Jacqueline and Jason’s Block Party! (Jacqueline Woodson), Production Asst., Misc (André 3000; Common; Black Thought); Producer, Salon: Captcha: Dancing, Data, Liberation (Rashaad Newsome, Saidiya V. Hartman, Tavia Nyong’o, Kiyan Williams, Aimee Meredith Cox, Ruha Benjamin); & more.
Left to Right: María Fernanda, Nina Angela Mercer, Tricia Elam Walker, Holly Bass at María Fernanda This is Your Poem: A Nikki Giovanni Tribute at Politics & Prose.
Slate
Ongoing programming by María Fernanda for artists
a poetry garden series
Join Black poets and gardeners as they discuss their creative and historic connections to the gardens in our communities.
In 2024, featured discussions centered on the Trinidad, Anacostia, and Mount Pleasant neighborhoods. In 2025, the series launched in Georgetown Heights in collaboration with the DC Preservation League.
The Hour series
Sign up on-site to share your work aloud at Politics and Prose’s newest free open mic series, created and hosted by María Fernanda! She believes that Poetry, like us, exists in many forms—spoken word, blues, performance/theatre, hip-hop, and more. Bring poems, songs, raps, monologues, positive affirmations and more!
Previous programming by María Fernanda for artists
Where We At! series
A series of in-gallery experiences, crafted by María Fernanda, debuted at The National Gallery of Art. Located in Gallery 77 as part of the Gallery’s exhibition Photography and the Black Arts Movement, 1955–1985, participants were invited to write poems and learn about the Black Arts Movement. The title of this program is directly inspired by Black Women Artists Inc.’s name and call, “Where We At!” (circa 1971).